Gil Barndollar
After the global success of his 2023 film 20 Days in Mariupol, Ukrainian filmmaker Mstyslav Chernov returned to his country’s front lines to tell a new story. As Ukraine began its heavily telegraphed 2023 counteroffensive, Chernov’s roaming eye alighted on a single platoon from 3rd Assault Brigade, which had been tasked with liberating the ruined village of Andriivka.
To the poor bloody infantry tasked with executing their piece of a much larger operation, the mission was simple: Take ground. Ground is what Chernov gives his viewers from the opening frame, as a high-explosive shell lands just yards from a pair of soldiers in a trench, showering the camera lens in dirt. Their comrades pile in and out of armored personnel carriers, then advance on foot through shell-churned mud one minute, dense brush the next. Though fighting on his native soil, one Ukrainian soldier says, “It’s like landing on a planet where everything is trying to kill you.”
Unmanned systems provide some of the most stunning visuals in the film. A vast cemetery, flags flying over every grave, shifts to a forest of spectral trees, filmed from a drone’s thermal camera. Early on, slow-scrolling drone footage of the forested battlefield lays it out as a green carpet to the objective. Choppier drone videos from later in the battle show only stumps and shell holes, and the soldiers crawling between them.
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