BY ELIAS GROLL
FEBRUARY 5, 2015
Since the day the Twin Towers fell and a plane smacked into the side of the Pentagon, the attacks of Sept. 11, 2001 have become a symbol of terror, devastation, and sorrow. Synonymous with horror and subsequent fury, the attacks have bifurcated recent history into an era of before and after.
By virtue of its magnitude, 9/11 has also gained a symbolic meaning for violence that is shocking, unpredictable, and perpetrated by fanatics. Over time, 9/11 as a metaphor has been gradually stretched, and in the years since, similar attacks have been described in terms that begin and end with that day — as “our 9/11,” no matter the extent of the loss.
This week, the Islamic State gave its global audience a macabre spectacle: The horrific execution of Jordanian fighter pilot Moaz al-Kasasbeh, who was videotaped as he burned to death in a makeshift cage. Days before the release of that video, the group had released another showing the decapitation of Kenji Goto, a Japanese journalist.
Kasasbeh’s execution, for its awful method, has dominated headlines. By contrast, Goto’s execution — and that of another Japanese ISIS prisoner, Haruna Yukawa — has evoked a defiant grief among Japanese who are comparing the tragedy to the 9/11 attacks.
“This is 9/11 for Japan,” Kunihiko Miyake, a former diplomat who has advised Japanese Prime Minister Shinzo Abe on foreign affairs, told the New York Times. “It is time for Japan to stop daydreaming that its good will and noble intentions would be enough to shield it from the dangerous world out there. Americans have faced this harsh reality, the French have faced it, and now we are, too.” In response to Goto’s beheading, Abe pledged that Japan, a country formally committed in its constitution to a pacifist policy, would avenge his killing.
These comparisons are reflective of 9/11’s symbolic role in this age of terrorism, as a marker of extreme violence, as a way to make that violence comprehensible, and to situate such violence within a framework that makes sense, the so-called “war on terror.”
Every act of terror, it seems, is now “our 9/11.”

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